Elvira leads the audience into a closed theatre, almost as if to spy between the stalls and the stage, with a maestro and an apprentice before a fire curtain that will never rise, in the moment of a character’s creation. Thirty years after Strehler, with Toni Servillo the reflections of Jouvet on theatre and character rediscover the same convincing topicality.
Taking migration as a starting point,
HUMAN makes a merciless exploration of the decisive boundary which separates the humane from the inhumane.
Nothing ever has only one meaning: personal and collective enigmas intertwine in a theatrical game with the rhythm of a psychological thriller.
Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.
The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.