Antonio Latella, taking the first syllable of the word mamma, guides us on a jourrney through the work of Pasolini, following a common thread which is centred on that generative force of words and men, of thought and artistic gesture. An attempt, through words and images, to trace a possible unique mother, with that MA which is necessary to create a doubt: "mother yes, ma...”.
The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.
Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.
Vangelo: the evocativeness of Enzo Avitabile’s music, the memories, the images and the voices of one of the most ferocious wars in recent history.
A closed theatre, a curtain that doesn’t rise. Master and apprentice in search of the character. Jouvet’s reflections on the nobility of the vocation of acting.