Antonio Latella stages Pinocchio. Anything but a “children’s story”, his stage adaptation of Collodi’s work is centred around the theme of lies and the story of a nose which grows not only when the puppet lies but also when he is hungry...
A naked stage, outlined by a backdrop and six wings. In a ring of hell, actor sinners walk a circle entwined together.
A choral mosaic, a work-debate on legality, a provocation against the mafia network which seeks to defeat civil conscience.
Minetti reflects on life, reduced to a theatre deprived of meaning in a dumbed-down society. The tragic epilogue is an extreme act of rebellion.
Bergamasco-Fracassi-Ragonese: based on Balzac, dramaturgy by Massini, a journey through the labyrinth of femininity.
Attorno a Pinocchio: in occasione dello spettacolo di Antonio Latella, il Piccolo organizza un ciclo di incontri di approfondimento sui temi del testo, da Collodi alla messa in scena. Primo appuntamento venerdì 20 gennaio 2017 al Chiostro Nina Vinchi per parlare di Un corpo nel legno: le metamorfosi di Pinocchio, libero burattino.
Teatro e differenze/La differenza del teatro: Thursday 12 January 2017 at the Chiostro Nina Vinchi sees the beginning of a series of events organised by Mariacristina Cavecchi and Caroline Patey which study the theme of emigration, difference and the phenomena of marginalisation through five shows staged at the Piccolo Teatro.