2021-2022

Maurizio De Giovanni is reading some of Gaber and Luporini’s best-known monologues

Seen not just as a feeling, but an actual frame of mind, love lies at the heart of the new play by Pippo Delbono.

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”

In a play of the spoken and unspoken (or the unspeakable), Parnia Shams represents the sensation of being controlled by an invisible power

Beckett’s Room is the fascinating and innovative work by Dead Centre that, by drawing on our imaginations, offers us a glimpse of the French Resistance

Davide Enia stages the contemporary tragedy of the landings on the coasts of the Mediterranean

Societies appear to be founded on the control and exploitation of lives that are considered superfluous; Still Life is an invitation to rethink the community

Based on the first-hand experiences of a number of humanitarian workers, a play that tells of the fight for a better world

A monologue that creates dialogue, an expression of the silent pain of the exile, flight, and sense of uprootedness of a woman, Io

Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease

A play that studies the sources of social violence, transforming the action on stage into a human laboratory

A play that stages a representation of human fragility in the relationship between body and marionette

Five characters, victims of “compulsive daydreaming disorder”, tell the audience of their obsessions

Through the exceptional journeys of three people forced to reinvent themselves, the performance is an invitation to reconsider the concept of identity