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Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.

Rohtko
PRESENTE INDICATIVO | Milano Porta Europa
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A true story of forged art; a blend of theatre and cinema, Łukasz Twarkowski’s spectacular work comes to Italy

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A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.

Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
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A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre

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An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.


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A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter

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Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again

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Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.

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In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.

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Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign

The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself.

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Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano

How can a journalist or an artist speak of war? Is dialogue between them possible, in order to help humanity defend itself from chaos?