RUMBA
L'asino e il bue del presepe di San Francesco nel parcheggio del supermercato
Celestini dedicates one of his stories to Francis, the saint who chose to serve the poor and who, in Greccio in 1223, created the nativity scene
  ©Masiar Pasquali
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The most important moments in the most famous (love?) story in the world in a youthful story in both English and Italian.
  ©Roberto Ricciuti
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Laura Pasetti and the Charioteer Theatre involve young children in an exciting journey to discover Shakespeare and the English language.
  ©Masiar Pasquali
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The first production directed by Martone at the Piccolo is Romeo and Juliet, the story of “a world in which conflict dominates without reason”
  ©Ros Ribas
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Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.
  © Artūrs Pavlovs
      Rohtko
PRESENTE INDICATIVO | Milano Porta Europa
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A true story of forged art; a blend of theatre and cinema, Łukasz Twarkowski’s spectacular work comes to Italy
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A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.
  ©Masiar Pasquali
      Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
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A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre
  ©Masiar Pasquali
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An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.
  ©Luca Manfrini
      
  © Claudia Pajewski
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A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter
  © Luca Del Pia
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Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again
  ©Futura Tittaferrante
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Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.
  ©Arno Declair
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In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.
  © Gianluca Pantaleo
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Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign