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© Masiar Pasquali

Asteroide

A tribute to the musical, to its passionate and paradoxical logic, to stories of love that finish suddenly, like an asteroid, and to our intolerable human finitude. Marco D’Agostin constructs a score for voice and body that, shifting between palaeontology, dance and emotion, tells of the endless ways in which life always finds a way to resist.

© Masiar Pasquali

Autoritratto

«In Palermo, we all have a constellation of mourning in which the stars are the people killed by Cosa Nostra». Beginning with accounts of the Eighties and the bombings of ‘92, around which he has constructed an absorbing biographical structure, Davide Enia paints «an intimate and collective self-portrait» of a community forced to live with the constant manifestation of evil.

© Jean-Louis Fernandez

LACRIMA

Paris 2025. A prestigious fashion house receives a special order; prepare a wedding dress for an English princess. From France to India, Caroline Guiela Nguyen connects the process of creation for a precious dress to the lives of tailors, lace-makers and embroiderers, exploring the secret processes and the dynamics that lie beneath the surface in the world of high fashion. 

© Nicolas Spiess

Le voci di Dante

A journey in the name of Dante and the unique cultural heritage represented by the Divine Comedy: Toni Servillo presents a show that takes on Dante’s work through an original interpretation by one of the most important contemporary Italian writers, Giuseppe Montesano. 

© Masiar Pasquali

Ritratto dell’artista da morto

(France ’41 – Argentina ’78) 

What is the relationship between the disappearance of a political dissident during the military dictatorship in Argentina in 1978 and that of a Jewish pianist in France in 1941? A blend of autobiography and fiction, historical research and police investigation, Davide Carnevali stage a reflection on the barbarian aspects of the totalitarianism that characterised the entire twentieth century.

© Masiar Pasquali

Tre modi per non morire

Baudelaire, Dante, i Greci

Based on the works of Giuseppe Montesano, Toni Servillo leads the audience on a journey in three stages that is an antidote to the stagnation of thought, the non-life that tends to swallow us up, a way to rediscover the words that an actor expresses with their entire body and mind, to nourish their and our interiority.