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Teatro Strehler - Scatola Magica
A reflection on war through ancient legends, a play in which Homer’s words resound in all of their topicality.

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A rehearsal room, actors, an audience. A director and a playwright examine the Legend of the Atrides, the tale of Iphigenia, the mystery of violence.

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Taking migration as a starting point, HUMAN makes a merciless exploration of the decisive boundary which separates the humane from the inhumane.

L’heure exquise
Variations on a theme by Samuel Beckett (Oh, les beaux jours)
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Alessandra Ferri celebrates her 40-year career with Winnie, the âgée ballerina imagined by Béjart who recalls her happiest moments

HEDDA. GABLER.
come una pistola carica
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Liv Ferracchiati has chosen Hedda Gabler by Ibsen to examine the relationship between social convention and the desire for freedom

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Teatro Strehler - Scatola Magica
Stefano de Luca continues his journey through the world of the tales of the Brothers Grimm and stages a Hänsel and Gretel.

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The Collas stage the Grimm’s tale, a story of initiation in which Hansel and Gretel have to overcome a multitude of difficulties while growing up.

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The return to the theatre of the legendary play by Robert Wilson, a re-reading of Hamlet by one of the greatest directors of the twentieth-century.

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Antonio Latella takes on “a masterpiece which many believe they know and of which little, to tell the truth, is understood”.

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Antonio Latella presents “his” Hamlet, the prince of failure and ambiguity. “Hamlet is neither black nor white, it walks the line”.

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Shakespeare’s masterpiece Hamlet returns to the stage in this version by Latella, with Federica Rosellini playing the prince of Denmark

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A fun introduction to the first two Cantos of Dante’s Inferno to explore the poem without getting lost in the shadowed forest of its interpretation

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A blend of theatre and multimedia, Fabiana Iacozzilli paints a harrowing portrait of a family facing the drama of Alzheimer’s

La Grande Mela
MITO SettembreMusica 2023
The theme of the city is at the center of the 17th edition of the Festival that connects Milan and Turin in the name of music

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What is true? What is false? Gabriele Russo stages Eduardo with a profound and necessary piece that questions the present