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© Nurith-Wagner-Strauss

Il processo Pelicot

PRESENTE INDICATIVO | Milano Crocevia

Milo Rau e Servane Dècle pay tribute to the woman who became a symbol of the battle against gender-based violence

©LAC Lugano Arte e Cultura. Foto Masiar Pasquali

Processo Galileo

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Teatro Strehler

Three stories related to the figure of Galileo, a blend of science and conscience, past present and future to examine the contemporary world

© Marta Cervone

La principessa di gelo

MITO SettembreMusica

Teatro Strehler

The musical festival that brings Milan and Turin together celebrates Giacomo Puccini with a Turandot dedicated to a younger audience

Il Principe Ranocchio swing – Cappuccetto Rosso rock

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Teatro Strehler - Scatola Magica

A fun version of the two masterpieces by the Brothers Grimm to introduce even the youngest of audiences to the magical world of theatre.

Il Principe Ranocchio swing – Cappuccetto Rosso rock

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Teatro Strehler - Scatola Magica

Una divertente versione di due capolavori dei Grimm per avvicinare anche i “piccolissimi” alla magia del teatro.

©Attilio Marasco

Il principe ranocchio swing – Cappuccetto rosso rock

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Teatro Strehler - Scatola Magica

A frog and a princess to the rhythm of swing and jazz, and a Little Red Riding Hood who faces up to the forest and her fears of growing up.

Il Principe Ranocchio swing - Cappuccetto rosso rock

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Teatro Strehler - Scatola Magica

Stefano de Luca proposes an original and entertaining version of the two tales by the Brothers Grimm to the rhythm of swing, jazz and rock music.

© Claudia Pajewski

Prima del Temporale

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Teatro Grassi

Under the guidance of Massimo Popolizio, Umberto Orsini paints the portrait of an actor grappling with the ghosts of his past.

©Masiar Pasquali

Prima

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Teatro Grassi

A company in rehearsals, five actors and their characters, the mystery of a picture divided into three parts; art and life come together in Rambert's new work

©Filippo Milani
©Amati Bacciardi - Foto di Amati Bacciardi

Pour un oui ou pour un non

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Teatro Grassi

Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.