 ©Masiar Pasquali
  ©Masiar Pasquali
      -
The first production directed by Martone at the Piccolo is Romeo and Juliet, the story of “a world in which conflict dominates without reason”
 ©Ros Ribas
  ©Ros Ribas
      -
Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.
 © Artūrs Pavlovs
  © Artūrs Pavlovs
      Rohtko
PRESENTE INDICATIVO | Milano Porta Europa
-
A true story of forged art; a blend of theatre and cinema, Łukasz Twarkowski’s spectacular work comes to Italy
 
      -
A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.
 ©Masiar Pasquali
  ©Masiar Pasquali
      Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
-
A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre
 ©Masiar Pasquali
  ©Masiar Pasquali
      -
An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.
 ©Luca Manfrini
  ©Luca Manfrini
       © Claudia Pajewski
  © Claudia Pajewski
      -
A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter
 © Luca Del Pia
  © Luca Del Pia
      -
Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again
 ©Futura Tittaferrante
  ©Futura Tittaferrante
      -
Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.
 ©Arno Declair
  ©Arno Declair
      -
In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.
 © Gianluca Pantaleo
  © Gianluca Pantaleo
      -
Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign
 ©Hugo Glendinning
  ©Hugo Glendinning
      The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself.
 © Tommaso Le Pera
  © Tommaso Le Pera
      -
Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano
 ©Dominique Houcmant - Goldo
  ©Dominique Houcmant - Goldo
      How can a journalist or an artist speak of war? Is dialogue between them possible, in order to help humanity defend itself from chaos?