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© Nurith-Wagner-Strauss

Il processo Pelicot

PRESENTE INDICATIVO | Milano Crocevia

Milo Rau e Servane Dècle pay tribute to the woman who became a symbol of the battle against gender-based violence

©LAC Lugano Arte e Cultura. Foto Masiar Pasquali

Processo Galileo

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Teatro Strehler

Three stories related to the figure of Galileo, a blend of science and conscience, past present and future to examine the contemporary world

© Marta Cervone

La principessa di gelo

MITO SettembreMusica

Teatro Strehler

The musical festival that brings Milan and Turin together celebrates Giacomo Puccini with a Turandot dedicated to a younger audience

©Attilio Marasco

Il principe ranocchio swing – Cappuccetto rosso rock

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Teatro Strehler - Scatola Magica

A frog and a princess to the rhythm of swing and jazz, and a Little Red Riding Hood who faces up to the forest and her fears of growing up.

Il Principe Ranocchio swing - Cappuccetto rosso rock

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Teatro Strehler - Scatola Magica

Stefano de Luca proposes an original and entertaining version of the two tales by the Brothers Grimm to the rhythm of swing, jazz and rock music.

Il Principe Ranocchio swing – Cappuccetto Rosso rock

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Teatro Strehler - Scatola Magica

Una divertente versione di due capolavori dei Grimm per avvicinare anche i “piccolissimi” alla magia del teatro.

Il Principe Ranocchio swing – Cappuccetto Rosso rock

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Teatro Strehler - Scatola Magica

A fun version of the two masterpieces by the Brothers Grimm to introduce even the youngest of audiences to the magical world of theatre.

© Claudia Pajewski

Prima del Temporale

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Teatro Grassi

Under the guidance of Massimo Popolizio, Umberto Orsini paints the portrait of an actor grappling with the ghosts of his past.

©Masiar Pasquali

Prima

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Teatro Grassi

A company in rehearsals, five actors and their characters, the mystery of a picture divided into three parts; art and life come together in Rambert's new work

©Filippo Milani
©Amati Bacciardi - Foto di Amati Bacciardi

Pour un oui ou pour un non

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Teatro Grassi

Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.