The second appointment of the MIT Jazz Festival is with the Claudio Angeleri Ensembe in a concert dedicated to Italo Calvino.

The return to the stage of the play which marked the beginning of the theatrical work of an all-women’s company, Dentro/Fuori San Vittore.

An examination of the theme of femininity carried out by an Italian choreographer with an Israeli colleague, accompanied by a signing performer.

Based on a novel by Scerbanenco, the winning play of NEXT 2018/19 stages the story of a brutal murder which took place in Milan.

The first appointment of MIT Jazz Festival is with Enrico Intra and Alex Stangione.

Valerio Binasco stages the irresistible comedy by Michael Frayn: what could possibly happen behind the scenes in a theatrical play?

The last novel by Moravia comes to the theatre. A savage and unhealthy game between two couples in which definitive possession is impossible.

Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.

Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.

An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.

Through theatre, circus, dance, James Thierrée brings to the Piccolo a phantasmagorical pantomime which is a product of his original poetic universe.

Exhilarating, provocative, powerful, topical, epic, masterful. The return, exactly 50 years on from its debut, of Mistero Buffo by Fo and Rame.

50 years on from Piazza Fontana and 45 from Piazza della Loggia A show which give an account of human and civil resistance for democracy.

Neri Marcoré tells the story of the “Mundial dimenticato” (the forgotten world cup”), played in Patagonia.

Sonia Bergamasco reads Fernanda Wittgens, the woman who protected The Last Supper and other monuments in Milan from the devastation of the war.