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Franca Nuti plays Brunhilde Pomsel, secretary to Goebbels and a witness to the horrors of Nazism, in the work by the Oscar winner Christopher Hampton.
©Francesco Cataldo
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Old age is an advantage which comes too late. The only way to take advantage of this situation is to share it with others.
© Gianluca Pantaleo
Il giardino dei ciliegi
Progetto Čechov, terza tappa
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A place of memory, as fundamental and ephemeral as Theatre: Leonardo Lidi arrives at the final stage of his Progetto Čechov
©Jan Versweyveld
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The English director Simon McBurney returns to the Piccolo with a new production by Chekhov, created for the lively Dutch cultural scene.
©Simone Cecchetti
Giochi di ottone
MITO SettembreMusica 2022
The Teatro Studio Melato sees the return of the concerts from the MITO festival, in an edition dedicated to light; light of reason, of the spirit, of rebirth...
©Laila Pozzo
Gioele Dix. Gaber and Luporini’s unpublished
MILANO PER GABER
Gioele Dix presents some interesting unpublished pieces of Gaber and Luporini’s repertoire, both in prose and music
©Luca Del Pia
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The new play by Pippo Delbono is dedicated to joy, seen as an infinite search to be made by actors and audiences together.
©Philippe Stirnweiss
© Duccio Burberi
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Massimiliano Civica, tre volte Premio Ubu, alle prese con il geniale testo di Samuel Beckett: «Harrowing, difficult, altruistic»
© Michelle Davis
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Marta Ciappina in the award-winning production by D’Agostin, a blend of dance and theatre, and a reflection on time and memory
© Michelle Davis
Gli anni
PRESENTE INDICATIVO | Milano Porta Europa
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Marta Ciappina in the award-winning production by D’Agostin, a blend of dance and theatre, and a reflection on time and memory
© Wanda Perrone Capano
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A dramatic moment in the history of Milan brought back to life through the stage play by Renato Sarti, with the voice of Giulia Lazzarini
Goya. La ribellione della Ragione
LaFil – Filarmonica di Milano
LaFil returns to the Piccolo with a new project dedicated to the exhibition Goya. La ribellione della ragione
© Flavia Tartaglia
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What is true? What is false? Gabriele Russo stages Eduardo with a profound and necessary piece that questions the present