A fascinating and enegmatic text, where “madness” leads to the deepest levels of reality.

Seventy years of the Piccolo Teatro and seventy years of Harlequin: a double anniversary for a theatrical tradition loved the world over.

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

An expression of the impassioned work of Luca Ronconi in transmitting theatrical knowledge between generations of artists.

Ivano Fossati will be meeting the public to talk about Canzone e Teatro Canzone

The musical-theatrical comedy group Oblivion pays tribute to Giorgio Gaber with the show Far finta di essere G.

A rehearsal room, actors, an audience. A director and a playwright examine the Legend of the Atrides, the tale of Iphigenia, the mystery of violence. 

The journies of Mahama and Saif in search of their lost children concludes the Trilogia del Naufragio. Mourning creates two new refugees. 

For “Milano per Gaber”, Ale & Franz take to the stage with a show inspired by Gaber and Jannacci, artists whose thoughts are as alive as ever.

Sandro Cerino, la Civica Jazz Band e Laura Fedele in un concerto dedicato a Napoli.

The pupils of the Accademia Teatro alla Scala Ballet School return to the Piccolo: a not to be missed date with the étoiles of the future.

La serata dedicata alla storia del jazz ripropone i momenti salienti del concerto che Benny Goodman tenne alla Carnegie Hall di New York nel 1938.

Eden, Shirin and Mina: three women, three religions, three lives in the middle-eastern time-bomb. The story of a conciliation which may be impossible.

A classic of Eduardo’s comedy, performed by a cast of excellent Neapolitan actors. The return of Luca De Filippo’s last production.

Bergamasco-Fracassi-Ragonese: based on Balzac, dramaturgy by Massini, a journey through the labyrinth of femininity.