© Marta Cervone
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Teatro Studio Melato
A personal re-reading by Davide Carnevali of Manzoni’s famous The Betrothed, created for lower-secondary-school classes
© Claudia Pajewski
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Teatro Grassi
A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter
© Andrea Macchia
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Teatro Studio Melato
Anna Della Rosa performs one of the most original works of the Twentieth century, in an adaptation by Fabrizio Sinisi, directed by Andrea De Rosa
© Tommaso Le Pera
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Teatro Studio Melato
Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano
Image processing Riccardo Frati
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Teatro Strehler
75 years on from its screen debut, Longhi-Guanciale pay tribute to the masterpiece by De Sica-Zavattini, a blend of fantasy and history
© Roberto Latini
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Teatro Studio Melato
Between law and conscience, obedience and dissent, Roberto Latini restores form and voice to the protagonist in the tragedy by Jean Anouilh
© Gianluca Fabrizio
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Teatro Grassi
Davide Carnevali brings the drama of Alzheimer’s to the stage, set against the backdrop of a Europe at war, losing its memory of history
TEDDYBÄR, collection Jean-Marie Donat
Orgasmo
Prosa dispiaciuta sulla fine del sesso
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Teatro Studio Melato
Author and actor under 30, Niccolò Fettarappa comes to the Piccolo to examine the crisis of desire in post-COVID society
Memoria di ragazza
Personale Daria Deflorian
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Teatro Grassi
Deflorian curates a reading of A girl’s story, one of the many astounding books by Ernaux, winner of the 2022 Nobel in Literature
© Pietro Di Francesco
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Teatro Studio Melato
Peppino Mazzotta, in a performance for voice and music, brings life to an impassioned reflection on power and its contradictions
© Andrea Pizzalis
La vegetariana
Personale Daria Deflorian
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Teatro Grassi
Deflorian returns as director and actor to stage the novel by Han Kang, winner of the Nobel Prize in Literature
© Luca Del Pia
Chi ha ucciso mio padre
Personale Daria Deflorian
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Teatro Grassi
The work by Édouard Louis becomes a logical step towards a form of dramaturgy ever more focused on literature
© Marta Cervone
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In the schools of Milan
Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news
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Teatro Strehler
With his first theatrical performance of Pirandello, Silvio Orlando delicately expresses the tragic humanity of Ciampa, directed by Andrea Baracco
Illustrazione Fabrizio Goglia
Lucia camminava sola
Materiali per un documentario
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Teatro Studio Melato
Tolja Djoković intertwines the stories of two women and two eras to examine the theme of the gaze on female bodies as they change