© Laila Pozzo
5 centimetri d’aria
Storia di Cristina Mazzotti e dei figli rapiti
Fifty years on from the kidnapping and murder of Cristina Mazzotti, the play that reconstructs the story returns to the stage
A true Brechtian didactic drama, our Antigone in cattedra comes to high-school classrooms to speak about legality and politics, feminism and patriarchy
© Masiar Pasquali
The new Harlequin comes to the stage, a topical play that dances lightly on the thread of time strung between the past and the future
© Maurizio Montagna, # Billboard Latronico 2018
Tea and apocalypse on a summer afternoon for four women on the threshold of their golden years; lacasadargilla stages Caryl Churchill
© Masiar Pasquali
Il barone rampante by Italo Calvino, a story of freedom, courage and perseverance, comes to the stage directed by Riccardo Frati
© Masiar Pasquali
From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words
© Nicolas Spiess
A journey in the name of Dante and the unique cultural heritage represented by the Divine Comedy: Toni Servillo presents a show that takes on Dante’s work through an original interpretation by one of the most important contemporary Italian writers, Giuseppe Montesano.
Fanny & Alexander and Federica Fracassi once again explore the terse and cutting work of Ágota Kristóf
Emma Dante brings the horrific ritualism of femicide to the stage with a new surreal theatrical work
Image processing Riccardo Frati
75 years on from its screen debut, Longhi-Guanciale pay tribute to the masterpiece by De Sica-Zavattini, a blend of fantasy and history
TEDDYBÄR, collection Jean-Marie Donat
Author and actor under 30, Niccolò Fettarappa comes to the Piccolo to examine the crisis of desire in post-COVID society
Alessandro Bandini lends voice and body to the moving and mysterious story of love between Giovanni Testori and Alain Toubas
© Tommaso Le Pera
Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano
© Claudia Pajewski
A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter
© Marta Cervone
Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news