With an apologue on hypocrisy and greed, Emma Dante ends her journey through Lo cunto de li cunti by Basile

Massimo Popolizio has chosen the work by Gorky that, in 1947, inaugurated Grassi and Strehler’s Piccolo

Theodoros Terzopoulos directs an exceptional cast for his personal reading of the mysterious masterpiece by Samuel Beckett

Plato’s cave in fable form, using shadow theatre to explain that one must go beyond appearances in order to find reality

The play-debate on legality through which, since 2011, Minoli and Giordano have met with audiences throughout the country

A fun introduction to the first two Cantos of Dante’s Inferno to explore the poem without getting lost in the shadowed forest of its interpretation

Francesco Alberici paints a vitriolic portrait of today’s world of employment, characterised by uncertainty, frenzy and brutal competitiveness

Directed by Antonio Latella, Sonia Bergamasco is Mirandolina in the piece that, according to the director, «marks the beginning of contemporary theatre»

After 8 years and 10 shows, with Naturae, the artistic journey of Armando Punzo together with the Compagnia della Fortezza comes to a definitive moment

With a blend of documentary, poetry and protest, Giuliana Musso tells of the concealment of violence within the family

A furious wife and devastated mother, Isabella Ragonese is the tragic queen of Mycenae in the latest play by Roberto Andò

As with the most perfect of Italian comedies, an exhilarating comedy of errors based on the novel by Andrea Camilleri

A mother, a son, a lake; Chekhov’s The Seagull encounters a new work by Liv Ferracchiati

Under the guidance of Andrea Baracco, Glauco Mauri takes on the tragic-comical and cruel theatre of Thomas Bernhard for the first time

Orsini and Branciaroli, the two “Sunshine Boys” of Italian theatre, in the play by Neil Simon and directed by Massimo Popolizio