Durante
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© Masiar Pasquali
A one-of-a-kind car, destroyed in a crash, with two actors trapped in the wreckage. A blend of dream and wakefulness, reality and fiction, the theatrical company from Prima returns to the stage with the mysterious play inspired by Battaglia di San Romano; generations of actors come and go, in a blend of past, present and future, and a continuous interweaving of stories great and small.
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Teatro Grassi
A one-of-a-kind car driven at top speed, a terrible accident; the second part of the triptych created by Pascal Rambert for the Piccolo begins with a coup de théâtre. The same company of actors who performed in Prima return, together with a new generation of artists.
Rehearsals for a play inspired by Battaglia di San Romano by Paolo Uccello are interwoven with hints of Harlequin and a general reflection on theatre, its rituals and its magic. «This is the first time – explained Rambert – that I have worked on a project organised over multiple seasons, and it has been a wonderful surprise. I like the idea of coming back to work with the same group of actors, because as a whole, they create an extremely vivid configuration of characters with which I feel I can continue to create new combinations of relationship.»
Duration: 113’ without intermission
A one-of-a-kind car driven at top speed, a terrible accident; the second part of the triptych created by Pascal Rambert for the Piccolo begins with a coup de théâtre. The same company of actors who performed in Prima return, together with a new generation of artists.
Rehearsals for a play inspired by Battaglia di San Romano by Paolo Uccello are interwoven with hints of Harlequin and a general reflection on theatre, its rituals and its magic. «This is the first time – explained Rambert – that I have worked on a project organised over multiple seasons, and it has been a wonderful surprise. I like the idea of coming back to work with the same group of actors, because as a whole, they create an extremely vivid configuration of characters with which I feel I can continue to create new combinations of relationship.»
Duration: 113’ without intermission
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© Masiar Pasquali
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© Masiar Pasquali
Credits
Durante
PREMIERE
written and directed by Pascal Rambert
translation by Chiara Elefante
sets Pascal Rambert and Anaïs Romand
costumes Anaïs Romand
lighting Yves Godin
music Alexandre Meyer
director’s assistant Virginia Landi
with (in alphabetical order) Anna Bonaiuto, Anna Della Rosa, Marco Foschi, Leda Kreider, Sandro Lombardi
and with the students of the Corso Claudia Giannotti (Scuola di Teatro “Luca Ronconi” del Piccolo Teatro di Milano – Teatro d’Europa) Miruna Cuc, Cecilia Fabris, Pasquale Montemurro, Caterina Sanvi, Pietro Savoi
and with Ludovica Bersani, Giorgio Saglimbeni/Filippo Boncinelli, Amelia Varretta
a Piccolo Teatro di Milano – Teatro d’Europa production
in coproduction with structure production and the Lombardi-Tiezzi Company
With the support of
The plays on Saturday 4 and Sunday 5 May form part of the Presente indicativo | Milano Porta Europa Festival and are surtitled in English by Prescott Studio
Smoke machines and strobe lights are used during the show
Tickets
Category of performance Piccolo Production
Stalls full price € 40 | Discounted (under 26 and over 65) € 23
Balcony full price € 32 | Discounted (under 26 and over 65) € 20
Subscriptions
The performance is available for subscription holders
To purchase a subscription online, click here
The plays on Saturday 4 and 5 May form part of the Presente indicativo | Milano Porta Europa Festival and can be used to compose the Festival Subscription.
To purchase a Festival Subscription online, click here
How and where to purchase
For information, click here
Organised groups and audiences
For information on tickets for organised groups:
tel. +39 02 72 333 216
email promozione.pubblico@piccoloteatromilano.it
