The puppets of Carlo Colla & Figli meet Molière: farce, irony and wit for an enjoyable comedy which pokes fun at human credulity.

Franco Branciaroli re-stages a play which is a cornerstone of Italian theatre: Luca Ronconi’s Medea, in which he performed in 1996. 

Maurizio De Giovanni is reading some of Gaber and Luporini’s best-known monologues

The return to the stage of the play by Renato Sarti which recalls the deportation of the workers of Sesto San Giovanni following the 1943-1945 strikes

The hardship of the women left alone after the deportation of their men due to the Milan strikes, the resistance of those who said no to fascism.

The play is dedicated to the figure of Mother Francesca Saverio Cabrini, Patron Saint of the migrants after a centenary from her death.

A man confesses his own homosexuality to his late mother: in a South covered in snow, among the tombs, finally free to speak. 

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. 

A unique setting, with the puppeteers visibly moving the characters. A creation that brings together scenes from the most-loved plays.

A Western Christian and a Muslim migrant are victims of an earthquake. This is La Ruina’s unique take on immigration.

Based on an episode from Pinocchio by Collodi, Roberto Latini’s new study on theatre and its farces.

Directed by Andrea Chiodi, Tindaro Granata and Lucia Lavia perform in the last, irresistible play by Molière

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”