©Kyle Tunney
Beckett’s Room
FESTIVAL “PRESENTE INDICATIVO”
-
Beckett’s Room is the fascinating and innovative work by Dead Centre that, by drawing on our imaginations, offers us a glimpse of the French Resistance
©Futura Tittaferrante
L’abisso
FESTIVAL “PRESENTE INDICATIVO”
-
Davide Enia stages the contemporary tragedy of the landings on the coasts of the Mediterranean
©Magda Hueckel
Still Life. A Chorus for Animals, People and all other Lives
FESTIVAL “PRESENTE INDICATIVO”
-
Societies appear to be founded on the control and exploitation of lives that are considered superfluous; Still Life is an invitation to rethink the community
©Magali Dougados
Dans la mesure de l’impossible
FESTIVAL “PRESENTE INDICATIVO”
-
Based on the first-hand experiences of a number of humanitarian workers, a play that tells of the fight for a better world
©Johanna Weber
Io
FESTIVAL “PRESENTE INDICATIVO”
-
Teatro Strehler - Scatola Magica
A monologue that creates dialogue, an expression of the silent pain of the exile, flight, and sense of uprootedness of a woman, Io
©Katerina Tzigotzidou
Nora
FESTIVAL “PRESENTE INDICATIVO”
-
Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence
©Lisandro Rodriguez
Extremófilo
FESTIVAL “PRESENTE INDICATIVO”
-
A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease
©Magali Dougados
Entre chien et loup
FESTIVAL “PRESENTE INDICATIVO”
-
A play that studies the sources of social violence, transforming the action on stage into a human laboratory
©Filippo Manzini
Nudità
FESTIVAL “PRESENTE INDICATIVO”
-
A play that stages a representation of human fragility in the relationship between body and marionette
©Maya Legos
L’Aventure invisible
FESTIVAL “PRESENTE INDICATIVO”
-
Through the exceptional journeys of three people forced to reinvent themselves, the performance is an invitation to reconsider the concept of identity
©Maya Legos
Wild Minds
FESTIVAL “PRESENTE INDICATIVO”
-
Five characters, victims of “compulsive daydreaming disorder”, tell the audience of their obsessions
©Sophie Garcia
Wakatt
FESTIVAL “PRESENTE INDICATIVO”
-
Dance seen as a means to study and question the present; Serge Aimé Coulibaly stages a form of humanity in transition
©Masiar Pasquali
Carne blu
FESTIVAL “PRESENTE INDICATIVO”
-
Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf
©Vincent Bérenger
Deux amis
FESTIVAL “PRESENTE INDICATIVO”
-
A couple of actors rehearsing Molière, an embarrassing SMS; Rambert presents an examination of the conventions of theatre and the rules of emotion
©Récréâtrales association
Façons d’aimer
FESTIVAL “PRESENTE INDICATIVO”
-
With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words