©Marina Alessi
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A monologue-confession by Paolo Giordano tells of the adventurous life of the mathematician Évariste Galois. The role is played by Fabrizio Falco.
Galline Autolesioniste Declamano Dubitazioni Amletiche
(la sublime follia del mondo di Carlo Emilio Gadda)
The world of Carlo Emilio Gadda, a sublime exponent of Italian language, is the magnificent obsession of Fabrizio Gifuni
©Attilio Marasco
© Gianluca Pantaleo
Il gabbiano
Progetto Čechov, prima tappa
Unrequited love and lost illusions; Leonardo Lidi stages the first of Čechov’s great masterpieces
©Gianluca Pantaleo
Il gabbiano
Progetto Čechov, first stage
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Unrequited love and lost illusions; Leonardo Lidi stages the first of Čechov’s great masterpieces
An anthology that takes its cue from our home, Italy, and looks beyond the borders with extraordinary strength and emotion.
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Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, an adaptation by Emanuele Trevi.
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Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, in an adaptation by Emanuele Trevi.
© Masiar Pasquali
Il fuoco era la cura
Vent’anni di Sotterraneo
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Bradbury’s novel is the cue for the study by Sotterraneo on the possible totalitarian drift of our present
© Masiar Pasquali
Il fuoco era la cura
freely inspired by “Fahrenheit 451” by Ray Bradbury
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Bradbury’s novel is the cue for the new study by Sotterraneo on the possible totalitarian drift of our presen
Fuggi la terra e l’onde
Estate fuori scena
Sea and adventure occupy the same metaphorical importance in our imaginations
©Christophe Raynaud de Lage
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In a dystopian future, half of the human race has been wiped out by an eclipse; fraternity is the only way to sooth the pain of loss
©Manuela Giusto
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Glauco Mauri and Roberto Sturno stage the latest extraordinary novel by Dostoevsky, an eternal, ruthless and extreme story.
©Luca Del Pia
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Elio De Capitani narrates Frankenstein, the masterpiece of Gothic literature by Mary Shelley.