Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.

An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.

Through theatre, circus, dance, James Thierrée brings to the Piccolo a phantasmagorical pantomime which is a product of his original poetic universe.

Exhilarating, provocative, powerful, topical, epic, masterful. The return, exactly 50 years on from its debut, of Mistero Buffo by Fo and Rame.

50 years on from Piazza Fontana and 45 from Piazza della Loggia A show which give an account of human and civil resistance for democracy.

Neri Marcoré tells the story of the “Mundial dimenticato” (the forgotten world cup”), played in Patagonia.

Sonia Bergamasco reads Fernanda Wittgens, the woman who protected The Last Supper and other monuments in Milan from the devastation of the war.

The 2019 edition of "Tramedautore" ends with La veglia by Rosario Palazzolo, a sardonic, ironic and harrowing play.

Giulietta and her mother, expelled from Gaddafi’s Libya as “Italians”, return to a home that they have never known.

"Tramedautore" plays host to Volver, a story of migration from the past to examine migration in present times.

A funny and bitter play that examines the imagination as the only force capable of revolutionising our lives.

Tramedautore plays host to Brucia l’Europa by Mario Gelardi, which examines topical themes such as terrorism, the fear of diversity and fake news.

Are the youngsters of today capable of changing society? This is the question that Aleksandros Memetaj asks, with comedy and irony, in A.CH.A.B.

Tramedautore continues with La Classe by Francesco Ferrara, in which 14 young actors take on the chilling massacre of Utøya in Norway.

The third play in the "Tramedautore" festival, L’alieno by Massimo Donati explores the theme of diversity and the relationship that we have with it.