A man confesses his own homosexuality to his late mother: in a South covered in snow, among the tombs, finally free to speak. 

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. 

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

A unique setting, with the puppeteers visibly moving the characters. A creation that brings together scenes from the most-loved plays.

A Western Christian and a Muslim migrant are victims of an earthquake. This is La Ruina’s unique take on immigration.

Based on an episode from Pinocchio by Collodi, Roberto Latini’s new study on theatre and its farces.

Directed by Andrea Chiodi, Tindaro Granata and Lucia Lavia perform in the last, irresistible play by Molière

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.