© Filippo Zimmermann
      SLOOOOOOW
PRESENTE INDICATIVO | Milano Crocevia
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A guided choreography that examines the relationship between the rhythm of hyper-productivity and that of the performance
  ©Veronique Vial
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It is the Piccolo’s “Christmas show”. SLAVA’S SNOWSHOW returns to bring snow to the holiday period on the stage of the Teatro Strehler
  © Veronique Vial
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A form of theatre founded on dreams and magic: the spellbinding SLAVA comes to the Piccolo during the 25th Winter Olympics
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A form of theatre born of dreams and fables, magical and joyful, rich with hopes and dreams. The enchanting SLAVA returns to the Piccolo!
  © Veronique Vial
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Poetic, universal and timeless, SLAVA’S SNOWSHOW, the show full of dreams and fables, returns for the Christmas holidays
  ©Lorenza Daverio
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La Sirenetta (the Mermaid) provokes a reflection on love, the most difficult kind, that for ourselves and the body we live in.
  © Simone Di Luca
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Despotic, mean and grumpy: Paolo Valerio directs Franco Branciaroli in an original interpretation of the play by Carlo Goldoni
  ©Studio Hanninen
      La Sinfonica allo Studio
Beethoven, Ives, Guarnieri
The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works
      La Sinfonica allo Studio
Corghi, Chailly, Campogrande
The Symphonic Orchestra of Milan proposes a diptych of concerts dedicated to contemporary composers and avant-garde language
  ©Studio Hanninen
      La Sinfonica allo Studio
Gabriele Manca, Giovanni Bonato
The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works
  © Angelica Concari
      La Sinfonica allo Studio
Larcher, Colasanti, Sciarrino
The Symphonic Orchestra of Milan proposes a diptych of concerts dedicated to contemporary composers and avant-garde language
  ©Studio Hanninen
      La Sinfonica allo Studio
Maggi, Haydn, Zago
The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works
  ©Mario Spada
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The director Mario Martone directs, for the first time, a play by Eduardo De Filippo in a staging with a strong political and social character.
  ©Luca Manfrini
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Federico Tiezzi stages Arthur Schnitzler’s masterpiece, a ruthless exposé of Austrian society in the 1920s.