Mariano Pensotti stages a striking play within a play that searches, in the present, for traces of past violence

A play that stages a representation of human fragility in the relationship between body and marionette

Through theatre, dance and music, Lina Sastri is the protagonist of the harrowing drama by García Lorca, directed by Lluís Pasqual

Ruccello’s work is the starting point for an original meta-theatrical account of the descent from solitude into madness.

Eros Pagni lends voice and body to one of the most emblematic figures in the Betrothed, the Unnamed.

Eros Pagni expresses the anguish of Manzoni’s Unnamed during the dizzying and tormented night in which Lucia comes to his castle.

A man lives alone in a deserted town. A deep and harrowing solitude, a blend of small and large quirks, and desires which blend with reality.

Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

Inspired by Chekhov, a work which isolates narcissistic love as the cornerstone of all the relationships and conflicts between the characters.

With Lino Musella as protagonist, Roberto Andò creates an impassioned commemoration of the unforgettable and poetic voice of Enzo Moscato.

A classic of Eduardo’s comedy, performed by a cast of excellent Neapolitan actors. The return of Luca De Filippo’s last production.

The two writers and activists bring to the Piccolo’s Chiostro the format that led to them finding fame with widespread social network audiences.

The first chapter, dedicated to fathers, of a trilogy on changes in the families of millennials.