2016-2017
Rocio Molina, one of the most anticipated interpreters, returns to Milan with her reinvented tradition, a blend of essence and avant garde.
Through her flamenco, Olga Pericet invites us on a journey in which the strength of her dance pulls us into the most hidden corners of the soul.
Reversible is a show anchored in the deep roots of flamenco and accompanied by a parterre of exceptional musicians and dancers.
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The puppets of Carlo Colla & Figli meet Molière: farce, irony and wit for an enjoyable comedy which pokes fun at human credulity.
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A new programme for Aterballetto with choreographies by Italian and international writers which highlight the versatility of the company.
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La Sirenetta (the Mermaid) provokes a reflection on love, the most difficult kind, that for ourselves and the body we live in.
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An ironic and passionate work, a small portrait of a generation seeking its own identity to carry forward into the future.
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When the brutality of mankind reaches depths of unspeakable ferocity, music and poetry restores the dignity of a population.
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Accompanied by Enrico Intra, a Prospero composer and live performer, a performance inspired by The Tempest by Shakespeare, directed by Massimo Navone.
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In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.
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The most prestigious theatrical academy in China tells the adventurous story of the Italian missionary who lived during the Ming dynasty.
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From Iran, a re-reading of Büchner’s masterpiece by Reza Servati, a thirty year-old from Teheran with a passion for the classics.
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A fascinating and enegmatic text, where “madness” leads to the deepest levels of reality.
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Seventy years of the Piccolo Teatro and seventy years of Harlequin: a double anniversary for a theatrical tradition loved the world over.
Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.