2020-2021

Created during the lockdown, the new play by Marco Paolini examines an all-round role for live entertainment.

Filippo Dini and Arianna Scommegna as the writer Paul and his tormentor Annie in Misery, based on the novel by Stephen King.

A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre characterised by few victories and many defeats.

A woman presents herself at the local police station and confesses to the murder of her husband, which took place ten years ago and had been filed as suicide.

Il Piccolo riapre le porte alla città  con un progetto di drammaturgia collettiva coordinato da Paolo Di Paolo

In this piece by Massini, Maria Paiato tells of the battle waged by eleven English women workers for the right to play football during the Great War.

Franca Nuti plays Brunhilde Pomsel, secretary to Goebbels and a witness to the horrors of Nazism, in the work by the Oscar winner Christopher Hampton.

Carmelo Rifici directs a Macbeth with a Jungian twist, exploring the interiority of the actors and spectators.

Tiezzi and Lombardi stage one of Bernhard’s last novels, a hard-hitting critique of the symbol of hypocrisy: humans.

A journey through the hell of the concentration camps and the Holocaust, and the fight to escape from a nightmare with the hope of once more being able to live.

A game of chess, a psychological thriller, an encounter-clash between two men united by a woman.

Stefano Massini, con la complicità di Paolo Jannacci, racconta il suo nuovo libro Manuale di sopravvivenza. Messaggi in bottiglia d’inizio millennio 
 

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Antonio Latella presents “his” Hamlet, the prince of failure and ambiguity. “Hamlet is neither black nor white, it walks the line”.

Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, an adaptation by Emanuele Trevi.