One day, within a family, the habitual violence inflicted by a husband on his wife becomes femicide. The man kills her by smashing her head in with an iron. The woman lies dead on the ground, but her death is not enough to convince anyone. 
Like an imprisoned angel of the hearth, the woman is unable to escape a destiny of death and abuse, and will be forced to get up and return to her same old routine, cleaning the house, doing the housework, cooking for her husband and son, and taking care of her elderly mother-in-law. 
Every morning, the family finds her dead but refuses to believe it. Every morning, she gets up again, opens the coffee pot, which has been screwed too tightly, and goes back to suffering her husband’s violence, her son’s depression, and the helplessness of her mother-in-law, who indulges her brutal and despotic son instead of condemning him. Every evening the wife dies again, like a hellish ring of eternal punishment. In the dim light of a sleeping household, the angel flaps her dressing gown and tries to take flight, but the only concession granted her is the intention to fly.

The play contains explicit language and scenes of violence

The performances on 15, 16, 22, 23, 29 and 30 November are surtitled in English and Italian
Surtitles by Prescott Studio