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Eros Pagni lends voice and body to one of the most emblematic figures in the Betrothed, the Unnamed.
©Alessandro Pone
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Michele Serra leads the reader into his writing workshop with an ironic and sentimental theatrical tale.
©Attilio Marasco
The second concert for MITJAZZ pays tribute to Ambrosetti and Gruntz with the music from one of their most important recording projects, Tentets.
©Salvatore Pastore
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The loss of values in football is the central point in a ruthless, ironic and poetic English piece, which has been transposed to provincial Campania.
©Marco Borrelli
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Fantastic stories and real episodes: Massini, with live music by Paolo Jannacci and Daniele Moretto, tells stories both great and small.
The 5th edition of MITJAZZ picks up on a number of concerts cancelled in the spring. The first is Il Jazz è Donna, a view of the Italian female jazz scene.
©MoniQue foto
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In a period characterised more by questions than answers, Paolo Rossi brings to the Piccolo a performance that calls for resistance and choice.
©Luca Del Pia
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A disturbing reflection on the concept of freedom, when it leads to taking decisions far removed from our ethics and morals.
©Musacchio, Ianniello & Pasqualini
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Fabrizio Gifuni continues his biting "anti" biography of a nation, this time taking on the letters and the memorial of Aldo Moro.
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Caravansaray Selinunte San Siro is an artistic and social project that has been created in the community.
The last day of Tramedutore is dedicated to podcasts, a format that is increasingly present in our cultural connections.
©Audible
Roberto Saviano concludes the Tramedautore Podcast Marathon with Le mani sul mondo, his first podcast produced in collaboration with Audible.it,
©Manuela Giusto
Three sisters, united in mourning, find the courage to admit and confess the domestic violence they have suffered.
From footballer to the stage: Lucia Mallardi recounts the life experiences that led her to both the football pitch and the stage.
The reading combines poems by Ostermaier, one of the most interesting writers on the German scene, and texts by the Argentine dramaturg and director Spregelburd.