Antonio Latella presents “his” Hamlet, the prince of failure and ambiguity. “Hamlet is neither black nor white, it walks the line”.

Shakespeare’s masterpiece Hamlet returns to the stage in this version by Latella, with Federica Rosellini playing the prince of Denmark

The return to the theatre of the legendary play by Robert Wilson, a re-reading of Hamlet by one of the greatest directors of the twentieth-century.

Stefano de Luca continues his journey through the world of the tales of the Brothers Grimm and stages a Hänsel and Gretel.

The Collas stage the Grimm’s tale, a story of initiation in which Hansel and Gretel have to overcome a multitude of difficulties while growing up.

Why learn a text by heart? With a blend of reality and fiction, Rodrigues addresses the value of transmission in fighting oblivion

Liv Ferracchiati has chosen Hedda Gabler by Ibsen to examine the relationship between social convention and the desire for freedom

Alessandra Ferri celebrates her 40-year career with Winnie, the âgée ballerina imagined by Béjart who recalls her happiest moments

The performers of Parini Secondo transform jump rope into a hypnotic score of choreography and electronic music

Taking migration as a starting point, HUMAN makes a merciless exploration of the decisive boundary which separates the humane from the inhumane.

A rehearsal room, actors, an audience. A director and a playwright examine the Legend of the Atrides, the tale of Iphigenia, the mystery of violence. 

The Iliad is a poem that speaks of war and exalts the military virtues of its heroes. It is also the story of all of the people involved in a war.

A reflection on war through ancient legends, a play in which Homer’s words resound in all of their topicality.

The Iliad told through the figure of the archaeologist Schliemann. A show which is a regular appointment for the under 18s.