75 years on from its debut in July 1947, Strehler’s Harlequin returns to Via Rovello as energetic as ever!

Liv Ferracchiati has chosen Hedda Gabler by Ibsen to examine the relationship between social convention and the desire for freedom

Gabriele Lavia in the disturbing work by Dostoevsky that has accompanied him for his entire life, the story of a man who dreams of his own death

Six characters in search of love; a blend of intrigue, misery and laughter in the comedy by the most important French playwright of the 18th century

Via a QR code, spectators are able to listen to the work by Olivia Laing

Alessandro Serra takes on Shakespeare's last play, a tribute to the power of theatre and a representation of worldly political strength

Sara Cano creates a celebration of life that, despite everything, continues to flow

Forty years on from an epic match and twenty years on from a legendary play, Davide Enia returns to evoke the joy of that victory

From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

A concert-play set to the dizzying rhythm of rap to rediscover all the vitality, power and topicality of Rostand’s poem

A witch-hunt that, at its core, was a scathing condemnation of contemporary social psychosis; Filippo Dini takes on Arthur Miller

An elderly mother discovers an infallible way to regain the attention of her children who are too busy, absent and distracted; she pretends to be dead

The show gathers historical anecdotes from different centuries and geographies, in a short circuit with the thought of Walter Benjamin

Overload stages the American writer David Foster Wallace in the act of delivering a speech, which soon takes on the structure of a hypertext

Sotterraneo starts from the collective imagination to talk to Shakespeare