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©Giuseppe Distefano

maggio '43

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Teatro Grassi

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Furore

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Teatro Strehler

Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, in an adaptation by Emanuele Trevi.

NEXT – Non un’opera buona

Teatro Grassi

The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona).

©Javier Fergo

Milano Flamenco Festival – Rayuela

Teatro Strehler

Macro Flores celebrates twenty years of career with the show Rayuela, a new production written and directed by Francisco López.

NEXT – Sogno americano. Chapter1#ray.

Teatro Grassi

The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona)

©François Passerini

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Teatro Strehler

Mime, dance, theatre, circus, figurative arts, but above all poetry: is the total theatre experience that has enchanted France and Spain.

©Maurizio Di Zio

De Living

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Teatro Strehler

Ersan Mondtag, one of the most important German directors of the new generation, comes to the Piccolo for the first time with his latest work.

 

©Lorenzo Piano

La vedova Socrate

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Teatro Grassi

A passing of the baton between two grande dames of the stage: Lella Costa accepts the invitation from Franca Valeri to perform La vedova Socrate.

©Masiar Pasquali

Natale in casa Cupiello

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Teatro Studio Melato

One hundred and twenty years on from the birth of Eduardo, Fausto Russo Alesi presents a “solitary” re-reading of a legendary comedy

©Mario Spada

Tavola tavola, chiodo chiodo...

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Teatro Grassi

A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre characterised by few victories and many defeats.

©Attilio Marasco

MITJAZZ – Piani Diversi. Carlo Balzaretti & Enrico Intra con Maurizio Franco

Teatro Strehler

MITJAZZ ends with the project Piani Diversi, a meeting of dialects from the great pages of “written” music and jazz improvisation.

 

 

La notte dell’Innominato

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Teatro Strehler

Eros Pagni lends voice and body to one of the most emblematic figures in the Betrothed, the Unnamed.

©Alessandro Pone

L’amaca di domani

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Teatro Studio Melato

Michele Serra leads the reader into his writing workshop with an ironic and sentimental theatrical tale.

©Attilio Marasco

MITJAZZ – Tentets. Ambrosetti omaggia Gruntz

Teatro Strehler

The second concert for MITJAZZ pays tribute to Ambrosetti and Gruntz with the music from one of their most important recording projects, Tentets.

©Salvatore Pastore

The Red Lion

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Teatro Grassi

The loss of values in football is the central point in a ruthless, ironic and poetic English piece, which has been transposed to provincial Campania.