A different point of view of the victims at sea in the Mediterranean.

Carmelo Rifici directs the young graduate actors from the Piccolo's School of Theatre in the disturbing masterpiece by Schnitzler.

The themes of data and the ethical implications of scientific innovation are examined in the new play by Laura Curino.

For the thirtieth edition, the Milano Musica Festival is looking to future scenarios through which to listen to the present.

Sani is an expression used in greeting in the foothills of the Alps, in the Piave Valley, and lends meaning to a form of theatre that serves as a bridge.

Fantastic stories and real events: Massini, with live music by Paolo Jannacci and Daniele Moretto, tells stories both great and small.

Liv Ferracchiati propone un’originale rilettura del Platonov di Čechov, storia di un giovane maestro e di quattro donne innamorate di lui

A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre, fought with few victories and many defeats.

The last masterpiece by Thomas Bernhard and one of the greatest theatrical scandals in Austrian post-war history.

Eros Pagni expresses the anguish of Manzoni’s Unnamed during the dizzying and tormented night in which Lucia comes to his castle.

The new play directed by Milo Rau is a reflection on the past and the future, on life, death, solitude and community.

Duels, forbidden love, disguises, masks and a lunch served twice, all seasoned with acrobatics: Harlequin returns to the Piccolo!

Claudio Tolcachir directs an entertaining and moving work for the Piccolo that examines the complexity of interpersonal relationships

Talk show, a format that is both though-provoking and fun. Sotterraneo, an experimental theatre collective, meets Wu Ming 1.

Chiara Bersani and Laura Pugno involve the audience in a discussion on the power that the untamed gaze has and the resulting responsibility.