 ©Masiar Pasquali
  ©Masiar Pasquali
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The winner of the 56th Riccione Theatre Award is the story of the first close encounter with an alien life-form
 ©Masiar Pasquali
  ©Masiar Pasquali
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A man encounters an alien life form; a woman asks him what happened. In the wake of its previous great success, Carbonio by Pier Lorenzo Pisano returns
 © Stefania Varca
  © Stefania Varca
      For NEXT Chronos3 stages a show which tells of (and revolutionises) the relationship between doctors and patients in a hospital, between illnesses and the ill
 ©Masiar Pasquali
  ©Masiar Pasquali
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Federica directs her first play at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf.
 ©Masiar Pasquali
  ©Masiar Pasquali
      Carne blu
FESTIVAL “PRESENTE INDICATIVO”
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Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf
 © Umberto Favretto
  © Umberto Favretto
      -
Franco Branciaroli is Leo Kaufmann, a Jew sentenced to death for having dared have a relationship with an “Aryan” woman
 © Andrea Macchia
  © Andrea Macchia
      Cenci
Rinascimento contemporaneo
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The Piccola Compagnia della Magnolia returns to Shelley, Artaud and Stendhal in a new work inspired by the story of Beatrice Cenci.
 
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The pupils of the Accademia Teatro alla Scala Ballet School in the ballet by Sergej Prokof’ev, choreographed by Frédéric Olivieri
 © Annachiara Di Stefano
  © Annachiara Di Stefano
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The pupils of the Accademia Teatro alla Scala ballet school in the ballet by Prokofiev and choreographed by Frédéric Olivieri
 ©Stefania Mantelli
  ©Stefania Mantelli
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The pupils of the Scala’s Ballet School dance a classic in the version created by Frédéric Olivieri to the music of Prokofiev.
 ©Alessia Santambrogio
  ©Alessia Santambrogio
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The pupils of the Scala’s Ballet School take on a classic in the version created by Frédéric Olivieri to the music of Prokofiev.
 ©Luigi Laselva
  ©Luigi Laselva
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An expression of the impassioned work of Luca Ronconi in transmitting theatrical knowledge between generations of artists.
 © Andrea Pizzalis
  © Andrea Pizzalis
      Che dolore terribile è l’amore
PRESENTE INDICATIVO | Milano Crocevia
Not the entire book - We Do Not Part, the new masterpiece by Han Kang - but rather shards of reality and dream, of historic trauma and poetry
 © Luca Del Pia
  © Luca Del Pia
      Chi ha ucciso mio padre
Personale Daria Deflorian
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The work by Édouard Louis becomes a logical step towards a form of dramaturgy ever more focused on literature
 
      Chiaroscuro
MITO SettembreMusica 2022
The Teatro Studio Melato sees the return of the concerts from the MITO festival, in an edition dedicated to light; light of reason, of the spirit, of rebirth...