Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.

The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. Deported to Auschwitz with number 81672

The extraordinary banality and disarming normality of evil in the imaginary clash between Hannah Arendt and Adolf Eichmann.