After having played Edgar in the legendary edition by Giorgio Strehler in 1972, Gabriele Lavia returns to King Lear, this time as the imprudent sovereign who decides to divide his kingdom among his three daughters. A painful story of loss: loss of reason, of kingdom and of family ties.
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Teatro Strehler
«Fate led me back to King Lear, even though I had decided not to do it. Clearly Giorgio Strehler had heard me, and set this trap for me»: fifty years on from the debut of the legendary play produced by the Piccolo, Gabriele Lavia returns to William Shakespeare’s masterpiece. In 1972 he played Edgar, but this time he is in the lead role, the elderly sovereign who chooses to divide his kingdom between his three daughters on the basis of the love they declare for him.
It is, as Lavia states, a story of loss: loss of reason, of kingdom and of family ties. «All that remains is to brave the storm. However, Lear’s storm exists in his mind. The storm of the mind of humanity, the death of the man who has abandoned his very existence. Lear rides it out to the end, to the ultimate sorrow when, as he holds the lifeless body of his daughter Cordelia in his arms, he shouts out to the audience: "O, you are men of stones: Had I your tongues and eyes, I'd use them so that heaven's vault should crack...". In this final stroke of genius, Shakespeare-Lear summons the cries and the tears of the entire audience, as though they were the ideal Choir for the final scene of his masterpiece. The cries and tears that lie within the silence of the spectators. A silence that is a cry of despair».
Duration: 3 hours including intermission (part one: 1 hour and 35 minutes | interval: 15 minutes | part two: 1 hour and 40 minutes)
«Fate led me back to King Lear, even though I had decided not to do it. Clearly Giorgio Strehler had heard me, and set this trap for me»: fifty years on from the debut of the legendary play produced by the Piccolo, Gabriele Lavia returns to William Shakespeare’s masterpiece. In 1972 he played Edgar, but this time he is in the lead role, the elderly sovereign who chooses to divide his kingdom between his three daughters on the basis of the love they declare for him.
It is, as Lavia states, a story of loss: loss of reason, of kingdom and of family ties. «All that remains is to brave the storm. However, Lear’s storm exists in his mind. The storm of the mind of humanity, the death of the man who has abandoned his very existence. Lear rides it out to the end, to the ultimate sorrow when, as he holds the lifeless body of his daughter Cordelia in his arms, he shouts out to the audience: "O, you are men of stones: Had I your tongues and eyes, I'd use them so that heaven's vault should crack...". In this final stroke of genius, Shakespeare-Lear summons the cries and the tears of the entire audience, as though they were the ideal Choir for the final scene of his masterpiece. The cries and tears that lie within the silence of the spectators. A silence that is a cry of despair».
Duration: 3 hours including intermission (part one: 1 hour and 35 minutes | interval: 15 minutes | part two: 1 hour and 40 minutes)
Credits
Re Lear
by William Shakespeare
translation Angelo Dallagiacoma and Luigi Lunari
directed by Gabriele Lavia
sets by Alessandro Camera
costumes Andrea Viotti
lighting Giuseppe Filipponio
music Antonio Di Pofi
sound Riccardo Benassi
with Gabriele Lavia
and with (in alphabetical order) Giovanni Arezzo, Giuseppe Benvegna, Eleonora Bernazza, Jacopo Carta, Beatrice Ceccherini, Federica Di Martino, Ian Gualdani, Luca Lazzareschi, Mauro Mandolini, Andrea Nicolini, Gianluca Scaccia, Silvia Siravo, Jacopo Venturiero, Lorenzo Volpe
assistants to the director Matteo Tarasco, Enrico Torzillo
stage assistant Michela Mantegazza
costume assistant Giulia Rovetto
prompt Nicolò Ayroldi
a Teatro di Roma – Teatro Nazionale, Effimera, LAC Lugano Arte e Cultura production
PRICES
Category of performance: Hosted Show
Stalls full price € 33 | Discounted (under 25 and over 65) € 21
Balcony full price € 26 | Discounted (under 25 and over 65) € 18
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