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Abbecedario per il mondo nuovo – Rovesciato

Rovesciato by Maria Teresa Berardelli, with Alfonso De Vreese
Podcast on Spreaker from Sunday 23rd May 2021

 

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An upside-down (rovesciato) world is the idea that our current times brought to mind. An upside-down world is what Franz Liszt’s Hungarian Rhapsody n.2 - on which the text is constructed - gradually led me to. An upside-down world is where the lead character wakes up. All behaviour, all relationships, all situations have been turned upside down. In this overturned world, he no longer understands anything. He struggles to recognise objects, people, everything. He even struggles to recognise himself.Maria Teresa Berardelli

Synopsis
A young man wakes up to find the world has been turned upside down. All behaviour, all relationships, all situations have been turned upside down. In this overturned world, he no longer understands anything. He struggles to recognise objects, people, everything. He feels alone, and even struggles to recognise himself.


Bio

A graduate in 2008 from the “Silvio D’Amico” National Academy of Dramatic Arts, Maria Teresa Berardelli won the Riccione/Tondelli award in 2009 with Sterili. In 2010 she won the Città di Chieri e Colline Torinesi - Bando Inedito Award with Altrove and the 6th edition of the Fersen Award with Studio per un teatro clinico. In 2015 she received a special mention at the 2015 Hystrio Playwriting Award with 10 mg. In 2021, her work Il fiore rosso won the Mezz’ore d’Autore competition at the Teatro Due Foundation. She wrote the theatrical adaptation of Uno, nessuno e centomila by Pirandello, directed by Andrea Baracco (a Khora Teatro production), of A Winter’s Tale by Shakespeare (a Teatro Stabile dell’Umbria production), of Itaca per sempre by Luigi Malerba (a Trento Spettacoli production), and of Elective affinities by Goethe (a Teatro Stabile dell’Umbria production).
(Foto Andrea Macchia)

 

Abbecedario per il mondo nuovo
a Piccolo Teatro di Milano – Teatro d’Europa production 
in collaboration with the Hystrio – Playwriting Award and the Riccione “Pier Vittorio Tondelli” Award
directed by Lisa Ferlazzo Natoli and Alessandro Ferroni