 
      On the occasion of the International Flamenco Day, the Autumn Preview of the MilanoFlamencoFestival will be playing host to the Concha Jareño Company.
 ©Richard Haughton
  ©Richard Haughton
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Through theatre, circus, dance, James Thierrée brings to the Piccolo a phantasmagorical pantomime which is a product of his original poetic universe.
 ©Masiar Pasquali
  ©Masiar Pasquali
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Jacopo Gassmann directs a piece by the Spanish Juan Mayorga on the relationship between a professor and a student.
 ©Achille Le Pera
  ©Achille Le Pera
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Pasolini’s 1955 novel becomes a play directed by Massimo Popolizio, with dramaturgy by Emanuele Trevi, starring Lino Guanciale.
 © Nicolò Feletti
  © Nicolò Feletti
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Orsini and Branciaroli, the two “Sunshine Boys” of Italian theatre, in the play by Neil Simon and directed by Massimo Popolizio
 © Virginia Mingolla
  © Virginia Mingolla
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Valerio Binasco directs Jon Fosse. He is joined on stage by Pamela Villoresi, Michele Di Mauro, Giordana Faggiano and Isabella Ferrari
 ©Musacchio, Ianniello & Pasqualini
  ©Musacchio, Ianniello & Pasqualini
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An account which brings together history and popular culture in recollection of one of the most tragic events in Nazi occupation.
 © Pietro Di Francesco
  © Pietro Di Francesco
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Peppino Mazzotta, in a performance for voice and music, brings life to an impassioned reflection on power and its contradictions
 
      60 years on from Vajont, Marco Paolini returns to the stage with a classic play from his repertoire
 ©Stefano Fortunati
  ©Stefano Fortunati
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Eduardo’s masterpiece returns to the stage, directed by Marco Tullio Giordana. A play about life, both real and behind a mask.
 ©Attilio Marasco
  ©Attilio Marasco
       
      Il Piccolo riapre le porte alla città con un progetto di drammaturgia collettiva coordinato da Paolo Di Paolo
 © Marta Cervone
  © Marta Cervone
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A personal re-reading by Davide Carnevali of Manzoni’s famous The Betrothed, created for lower-secondary-school classes
 ©Luca Del Pia
  ©Luca Del Pia
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Cancelled Event
Enzo Vetrano and Stefano Randisi stage an “impossible” dialogue between Lucretius and Seneca and their opposing concepts of the world.