
-
Through theatre, circus, dance, James Thierrée brings to the Piccolo a phantasmagorical pantomime which is a product of his original poetic universe.

On the occasion of the International Flamenco Day, the Autumn Preview of the MilanoFlamencoFestival will be playing host to the Concha Jareño Company.

How can a journalist or an artist speak of war? Is dialogue between them possible, in order to help humanity defend itself from chaos?

The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself.

-
In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.

-
Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.

-
Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again


-
An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.

Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
-
A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre

-
A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.

Rohtko
PRESENTE INDICATIVO | Milano Porta Europa
-
A true story of forged art; a blend of theatre and cinema, Łukasz Twarkowski’s spectacular work comes to Italy

-
Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.

-
The first production directed by Martone at the Piccolo is Romeo and Juliet, the story of “a world in which conflict dominates without reason”