
Il gabbiano
Progetto Čechov, first stage
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Unrequited love and lost illusions; Leonardo Lidi stages the first of Čechov’s great masterpieces

Pupo di zucchero
La festa dei morti
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Emma Dante returns to Lo cunto de li cunti by Giambattista Basile; an exaltation of memory, a celebration of death, and of life

Europeana
Breve storia del XX secolo
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Lino Guanciale, accompanied by the accordion of Marko Hatlak, looks back on the enthusiasm, tragedy and leaps forward of the 20th century

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The champions of Ariosto tackle gender stereotypes and the idealisation of love in the complex stage of adolescence

Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
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A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre

Benvenuti al Piccolo!
Nel paese di Teatro
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Teatro Strehler - Scatola Magica
Una visita spettacolo del Teatro Strehler per scuole primarie e famiglie, alla scoperta di luoghi e storie che hanno reso celebre il Piccolo

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The first production directed by Martone at the Piccolo is Romeo and Juliet, the story of “a world in which conflict dominates without reason”

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A dizzying examination of love, heredity and femininity; lacasadargilla stages the award-winning work by Alice Birch

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A man encounters an alien life form; a woman asks him what happened. In the wake of its previous great success, Carbonio by Pier Lorenzo Pisano returns

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Il teatro a scuola: Antigone si presenta nelle classi degli istituti superiori per parlare a ragazzi e ragazze di legalità e politica, femminismo e patriarcato

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In a dystopian future, half of the human race has been wiped out by an eclipse; fraternity is the only way to sooth the pain of loss

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Il barone rampante by Italo Calvino, a story of freedom, courage and perseverance, comes to the stage directed by Riccardo Frati

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Roberto Andò stages the masterpiece novel by Raffaele La Capria in a theatrical version by Emanuele Trevi

La Sinfonica allo Studio
Maggi, Haydn, Zago
The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works

Tre modi per non morire
I Greci, Dante, Baudelaire
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Through three texts by Giuseppe Montesano, Toni Servillo leads audiences on a journey through poetry, allowing them to once again feel alive.