 
      Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
 
      Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
 
      Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
 ©Attilio Marasco
  ©Attilio Marasco
      The second concert for MITJAZZ pays tribute to Ambrosetti and Gruntz with the music from one of their most important recording projects, Tentets.
 ©Attilio Marasco
  ©Attilio Marasco
      MITJAZZ ends with the project Piani Diversi, a meeting of dialects from the great pages of “written” music and jazz improvisation.
 
      The 5th edition of MITJAZZ picks up on a number of concerts cancelled in the spring. The first is Il Jazz è Donna, a view of the Italian female jazz scene.
 ©Attilio Marasco
  ©Attilio Marasco
      The MitJazz Festival ends with the traditional Saint Ambrose concert: the Civica Jazz Band conducted by Enrico Intra with a brand-new programme.
 ©Attilio Marasco
  ©Attilio Marasco
      La terza edizione di MITJazzFestival si apre con un progetto innovativo che coinvolge lo scatter Gegé Telesforo e il rapper Willie Peyote.
 ©Attilio Marasco
  ©Attilio Marasco
      Il secondo concerto di MIT Jazz Festival è dedicato ai giovani dell'Orchestra Nazionale Jazz Giovani Talenti, diretta e promossa da Paolo Damiani.
 
      The second edition of the MitJazz Festival: the review begins with Nor Sea, Nor Land, Nor Salty Waves by the composer Roberto Bonati, played for the first time in Milan.
 ©Attilio Marasco
  ©Attilio Marasco
      The second appointment in the MitJazz Festival is with the Lydian Sound Orchestra conducted by Riccardo Brazzale. This is the world-premiere of Italian way.
 ©Attilio Marasco
  ©Attilio Marasco
      MITJazz Festival si conclude con un concerto dedicato alla canzone italiana. Ospiti Franco (trombettista) e Gianluca (sassofonista) Ambrosetti.
 ©Tommaso Le Pera
  ©Tommaso Le Pera
      -
An examination of classic and contemporary works which produces a reflection on war and its most fragile victims, women.
 
      -
In 1951, 200 women turned up for a single job. 77 of them were involved in an incredible accident.
 
      -
A reflection on the violent dynamics within the family unit, taking from works by Pirandello, re-examined with the collaboration of Andrea Camilleri.