©Giuseppe Distefano
      Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  ©Giuseppe Distefano
      Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  ©Giuseppe Di Stefano
      Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  ©Giuseppe Distefano
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Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  ©Giuseppe Distefano
      -
Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  ©Giuseppe Distefano
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Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
  © Simone Di Luca
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The drama of the Italians forced into exile from Istria and Dalmatia told through the words and music of Simone Cristicchi
  ©Guido Mencari
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Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.
      Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.
  ©Javier Fergo
      D’MADRUGA
Milano Flamenco Festival 2022
In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming
  ©© LAC, Foto Studio Pagi - Foto di Foto Studio Pagi
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Carmelo Rifici directs a Macbeth with a Jungian twist, exploring the interiority of the actors and spectators.
  ©Umberto Favretto
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Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.
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The Compagnia Marionettistica Carlo Colla & Figli celebrates the 400th anniversary of Shakespeare's death staging his Macbeth.
  © Tommaso Le Pera
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Gabriele Lavia and Federica Di Martino in the masterpiece by Eugene O’Neill, the brutal and painful portrait of a dysfunctional family