A play that examines the “sustainability” of theatre, extinction and the legacy that we leave the creatures inhabiting the planet.

Gabriele Lavia returns to Pirandello with The cap and bells, a bitter, dark, comical and cruel play.

The extraordinary banality and disarming normality of evil in the imaginary clash between Hannah Arendt and Adolf Eichmann.

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. 

The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.

Massimo Popolizio stages M, the novel that Antonio Scurati dedicated to the reconstruction of Mussolini’s rise to power.

The play compares the infinite enormity of the universe with the most restricted confines of our human dimension.

Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.

Fantastic stories and real events: Massini, with live music by Paolo Jannacci and Daniele Moretto, tells stories both great and small.

A new production by the Carlo Colla & Figli Company dedicated to the most famous puppet of all time: Pinocchio.

Anteprima del film doc Jacques Lecoq, viaggio in Italia di Felice Cappa

The enthusiasm and the talent of the Ballet School of the Accademia Teatro alla Scala takes on the Nutcracker, the Christmas tale par excellence.

Two great names from Italian theatre, Anna Maria Guarnieri and Rosalina Neri, are the adorable “killer aunts” in this famous comedy