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©Masiar Pasquali

Romeo & Juliet (are dead)

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Teatro Studio Melato

The most important moments in the most famous (love?) story in the world in a youthful story in both English and Italian.

©Masiar Pasquali

Romeo and Juliet

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Teatro Strehler

The first production directed by Martone at the Piccolo is Romeo and Juliet, the story of “a world in which conflict dominates without reason”

©Ros Ribas

Romancero gitano

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Teatro Grassi

Pure emotion: Lluís Pasqual directs Nuria Espert in the “classic” staging of the height of García Lorca’s poetry.

© Artūrs Pavlovs

Rohtko

PRESENTE INDICATIVO | Milano Porta Europa

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Teatro Strehler

A true story of forged art; a blend of theatre and cinema, Łukasz Twarkowski’s spectacular work comes to Italy

Ritratto di donna araba che guarda il mare

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Teatro Grassi

A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.

©Masiar Pasquali

Ritratto dell’artista da morto

(Italia ’41 – Argentina ’78)

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Teatro Studio Melato

A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre

©Masiar Pasquali

Ritorno a Reims

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Teatro Studio Melato

An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.

© Claudia Pajewski

Ritorno a casa

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Teatro Grassi

A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter

© Luca Del Pia

Il risveglio

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Teatro Strehler

Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again

©Futura Tittaferrante

Un ricordo d’inverno

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Teatro Studio Melato

Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.

©Arno Declair

Richard III

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Teatro Strehler

In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.  

© Ralf Hoedt, Forest 2007

Riccardo III

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Teatro Strehler

Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign

©Hugo Glendinning

Rewriting | Performance

Teatro Studio Melato

The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself. 

© artwork Giulio Einaudi Editore

Resto qui

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Teatro Studio Melato

Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano