Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

The drama of the Italians forced into exile from Istria and Dalmatia told through the words and music of Simone Cristicchi

Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.

Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.

In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming

Carmelo Rifici directs a Macbeth with a Jungian twist, exploring the interiority of the actors and spectators.

Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.

The Compagnia Marionettistica Carlo Colla & Figli celebrates the 400th anniversary of Shakespeare's death staging his Macbeth.

Gabriele Lavia and Federica Di Martino in the masterpiece by Eugene O’Neill, the brutal and painful portrait of a dysfunctional family

Under the guidance of Federico Tiezzi, Sandro Lombardi, Monica Bacelli and Andrea Rebaudengo follow in the footsteps of the reportage by Pier Paolo Pasolini

Tolja Djoković intertwines the stories of two women and two eras to examine the theme of the gaze on female bodies as they change

On the 100th anniversary of the birth of Giovanni Testori, Orsini reads pages from Luchino, a rediscovered biography of Visconti

The Teatro Studio Melato sees the return of the concerts from the MITO festival, in an edition dedicated to light; light of reason, of the spirit, of rebirth...