©Masiar Pasquali
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Jacopo Gassmann directs a piece by the Spanish Juan Mayorga on the relationship between a professor and a student.
©Richard Haughton
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Through theatre, circus, dance, James Thierrée brings to the Piccolo a phantasmagorical pantomime which is a product of his original poetic universe.
On the occasion of the International Flamenco Day, the Autumn Preview of the MilanoFlamencoFestival will be playing host to the Concha Jareño Company.
©Dominique Houcmant - Goldo
How can a journalist or an artist speak of war? Is dialogue between them possible, in order to help humanity defend itself from chaos?
© Tommaso Le Pera
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Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano
©Hugo Glendinning
The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself.
© Gianluca Pantaleo
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Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign
©Arno Declair
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In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.
©Futura Tittaferrante
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Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.
© Luca Del Pia
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Pippo Delbono dedicates his new, moving work to those who, after falling asleep, have the courage to wake up again
© Claudia Pajewski
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A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter
©Luca Manfrini
©Masiar Pasquali
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An extraordinary theatrical project, an autobiographical account, a reflection on the eternal ties between personal stories and historical events.
©Masiar Pasquali
Ritratto dell’artista da morto
(Italia ’41 – Argentina ’78)
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A blend of reality and autofiction. Riondino and Carnevali bring the drama of disappearances during 20th-century dictatorships to the theatre