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In a blend of dance and theatre – during the 25th Winter Olympics – D’Agostin reflects on his first love: cross-country skiing

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A personal re-reading by Davide Carnevali of Manzoni’s famous The Betrothed, created for lower-secondary-school classes

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A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter

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Anna Della Rosa performs one of the most original works of the Twentieth century, in an adaptation by Fabrizio Sinisi, directed by Andrea De Rosa

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Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano

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75 years on from its screen debut, Longhi-Guanciale pay tribute to the masterpiece by De Sica-Zavattini, a blend of fantasy and history

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Between law and conscience, obedience and dissent, Roberto Latini restores form and voice to the protagonist in the tragedy by Jean Anouilh

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Davide Carnevali brings the drama of Alzheimer’s to the stage, set against the backdrop of a Europe at war, losing its memory of history

Orgasmo
Prosa dispiaciuta sulla fine del sesso
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Author and actor under 30, Niccolò Fettarappa comes to the Piccolo to examine the crisis of desire in post-COVID society

Memoria di ragazza
Personale Daria Deflorian
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Deflorian curates a reading of A girl’s story, one of the many astounding books by Ernaux, winner of the 2022 Nobel in Literature

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Peppino Mazzotta, in a performance for voice and music, brings life to an impassioned reflection on power and its contradictions

La vegetariana
Personale Daria Deflorian
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Deflorian returns as director and actor to stage the novel by Han Kang, winner of the Nobel Prize in Literature

Chi ha ucciso mio padre
Personale Daria Deflorian
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The work by Édouard Louis becomes a logical step towards a form of dramaturgy ever more focused on literature

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Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news

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With his first theatrical performance of Pirandello, Silvio Orlando delicately expresses the tragic humanity of Ciampa, directed by Andrea Baracco