
Europeana will seem the most suitable book for describing our species at the dawn of the third millennium.
from 7 p.m.

Every Brilliant Thing
(Le cose per cui vale la pena vivere)
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What are the things that are worth living for? With the help of the audience, Filippo Nigro answers with sensitivity and levity

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The new play directed by Milo Rau is a reflection on the past and the future, on life, death, solitude and community.

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The puppets of the Carlo Colla & Figli company dance in the Teatro alla Scala ballet celebrating 19th-century scientific and technical progress

Extremófilo
FESTIVAL “PRESENTE INDICATIVO”
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A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease

Ezra in gabbia
o il caso Ezra Pound
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Directed by Leonardo Petrillo, Mariano Rigillo and Silvia Siravo return Ezra Pound to the absolute purity of his art and his poetry

Façons d’aimer
FESTIVAL “PRESENTE INDICATIVO”
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With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words

Falaise
a show in black and white for eight humans, a horse and some pigeons
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Dance, acrobatics, acting and music: a poetic fable in an astounding performance of humans and animals

Falcone e Borsellino
L'eredità dei giusti
Thirty years on from the massacres in Capaci and Via D’Amelio, a story told through words and music re-evokes those tragic events

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Branciaroli and De Francovich, directed by Calenda, in a play dedicated to the most tragic and comical of Shakespeare’s characters.

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Teatro Strehler - Scatola Magica
From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

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Teatro Strehler - Scatola Magica
From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

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Teatro Strehler - Scatola Magica
From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

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De Rosa stages Seneca’s Phaedra, contaminating it with Euripides’s Hippolytus and with excerpts of the great Latin author’s correspondence.

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Elena Ghiaurov plays the tragic queen who disrupts moral, family and social order with the chaos of her desires