2021-2022

The new play directed by Milo Rau is a reflection on the past and the future, on life, death, solitude and community.

Eros Pagni expresses the anguish of Manzoni’s Unnamed during the dizzying and tormented night in which Lucia comes to his castle.

The last masterpiece by Thomas Bernhard and one of the greatest theatrical scandals in Austrian post-war history.

A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre, fought with few victories and many defeats.

Liv Ferracchiati propone un’originale rilettura del Platonov di Čechov, storia di un giovane maestro e di quattro donne innamorate di lui

Fantastic stories and real events: Massini, with live music by Paolo Jannacci and Daniele Moretto, tells stories both great and small.

Sani is an expression used in greeting in the foothills of the Alps, in the Piave Valley, and lends meaning to a form of theatre that serves as a bridge.

For the thirtieth edition, the Milano Musica Festival is looking to future scenarios through which to listen to the present.

The themes of data and the ethical implications of scientific innovation are examined in the new play by Laura Curino.

Carmelo Rifici directs the young graduate actors from the Piccolo's School of Theatre in the disturbing masterpiece by Schnitzler.

​Un format sonoro e performativo per Franco Quadri, a 10 anni dalla scomparsa del grande critico e editore teatrale milanese

A different point of view of the victims at sea in the Mediterranean.

Two great names from Italian theatre, Anna Maria Guarnieri and Rosalina Neri, are the adorable “killer aunts” in this famous comedy

The enthusiasm and the talent of the Ballet School of the Accademia Teatro alla Scala takes on the Nutcracker, the Christmas tale par excellence.

Anteprima del film doc Jacques Lecoq, viaggio in Italia di Felice Cappa