Stagione 2025/26

The new work by Fabiana Iacozzilli, with dramaturgy by Linda Dalisi, gives voice to the survivors of the Andes flight disaster

Through a blend of theatre and multimedia, Łukasz Twarkowski encounters Alan Turing, artificial intelligence and the dark side of technology

Author and actor under 30, Niccolò Fettarappa comes to the Piccolo to examine the crisis of desire in post-COVID society

Author and actor under 30, Niccolò Fettarappa comes to the Piccolo to examine the crisis of desire in post-COVID society

Anna Della Rosa performs one of the most original works of the Twentieth century, in an adaptation by Fabrizio Sinisi, directed by Andrea De Rosa

Alessandro Bandini lends voice and body to the moving and mysterious story of love between Giovanni Testori and Alain Toubas

Under the guidance of Massimo Popolizio, Umberto Orsini paints the portrait of an actor grappling with the ghosts of his past.

A personal re-reading by Davide Carnevali of Manzoni’s famous The Betrothed, created for lower-secondary-school classes

Peppino Mazzotta, in a performance for voice and music, brings life to an impassioned reflection on power and its contradictions

Gabriele Lavia stages the eternal tragedy of power, focusing on the conflictual relationship between parents and their children

Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano

Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign

A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter

Pupils from the Accademia Teatro alla Scala Ballet School present a programme that embraces a diverse range of choreographic styles

Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news