Stagione 2025/26

Under the guidance of Massimo Popolizio, Umberto Orsini paints the portrait of an actor grappling with the ghosts of his past.

A personal re-reading by Davide Carnevali of Manzoni’s famous The Betrothed, created for lower-secondary-school classes

Peppino Mazzotta, in a performance for voice and music, brings life to an impassioned reflection on power and its contradictions

Gabriele Lavia stages the eternal tragedy of power, focusing on the conflictual relationship between parents and their children

Arianna Scommegna and Mattia Fabris, directed by Francesco Niccolini, in a stage adaptation of the novel by Marco Balzano

Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign

A “dangerously” fun show: Massimo Popolizio directs and performs in the masterpiece by Harold Pinter

Pupils from the Accademia Teatro alla Scala Ballet School present a programme that embraces a diverse range of choreographic styles

Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news

Despotic, mean and grumpy: Paolo Valerio directs Franco Branciaroli in an original interpretation of the play by Carlo Goldoni

A form of theatre founded on dreams and magic: the spellbinding SLAVA comes to the Piccolo during the 25th Winter Olympics

A guided choreography that examines the relationship between the rhythm of hyper-productivity and that of the performance

Eighteen young women, a secret pact of maternity and a femicide: Marta Cuscunà continues her exploration of “women’s resistance”

A particular format, a blend of chat and performance, created by Sotterraneo to create dialogue between different forms of expression

A journey through student accommodation in Milan, exploring migration, identity and the search for a new home