The “Milano per Gaber” review continues with Coma_Cose, aka Fausto Zanardelli and Francesca Mesiano, interviewed by Lorenzo Luporini.

The first appointment in the review “Milano per Gaber” is with Paolo Conte interviewed by the journalist and TV presenter Massimo Bernardini.

Umberto Orsini and Lucia Lavia in the story of a man in a fight against himself, time and destiny, in search of impossible redemption.

The XXI edition of Orchestra senza Confini closes with a tribute to Antonello Salis, one of the great artistic figures of Italian jazz. 

Emma Dante stages the short story by Giambattista Basile, a splendid apologue on the risks of vanity in a world based on appearance.

A fun version of the two masterpieces by the Brothers Grimm to introduce even the youngest of audiences to the magical world of theatre.

Jacopo Gassmann directs a piece by the Spanish Juan Mayorga on the relationship between a professor and a student.

Alcune delle soliste più interessanti del panorama italiano gettano uno sguardo su stili e poetiche molto diverse tra loro.

For the first time performing in a production for the Piccolo, Marco Paolini stages his re-reading of the story of Ulysses.

La storia della celebre ragazzina e dei suoi celebri incontri in uno spettacolo che intreccia recitazione e immagini.

A man lives alone in a deserted town. A deep and harrowing solitude, a blend of small and large quirks, and desires which blend with reality.

A new guise for the work which examines the bond between legal economics and criminal economics, and the importance of choosing which side to be on.

Il secondo appuntamento di Orchestra senza Confini è dedicato a Gorni Kramer, figura centrale del jazz italiano tra gli anni Trenta e i Sessanta.

Franco Branciaroli plays Jean Valjean in the theatrical staging of one of literature’s masterpieces: Les Miserables by Hugo. Directed by Franco Però.

Laura Pasetti and the Charioteer Theatre involve young children in an exciting journey to discover Shakespeare and the English language.