The most multi-ethnic orchestra in Italy in a glamorous and iconoclastic Don Giovanni, with Petra Magioni in the leading role.

The return to the stage of the play by Renato Sarti which recalls the deportation of the workers of Sesto San Giovanni following the 1943-1945 strikes

Streher’s Harlequin takes to the stage at the Teatro Grassi. Every season sees the rebirth of the play which has become a legend.

A reflection on the violent dynamics within the family unit, taking from works by Pirandello, re-examined with the collaboration of Andrea Camilleri.

Shakespeare’s masterpiece, staged by Roberto Andò, a cinematographic and theatrical director, with Renato Carpentieri in the role of Prospero.

A sanguine, ironic and very gentle Imma Villa lends a voice and body to Enzo Moscato’s femminiello, a magical and fascinating creature without identity.

An examination of classic and contemporary works which produces a reflection on war and its most fragile victims, women.

An enquiry in the form of a play, an examination of the tragic nature of the human condition and a paean to the power of the theatre.

In 1951, 200 women turned up for a single job. 77 of them were involved in an incredible accident.

Elio will be closing the series of discussions with great Italian singer-songwriters organised for the 2019 edition of Milano per Gaber.

The pupils of the Accademia Teatro alla Scala Ballet School return to the Piccolo: a not-to-be-missed date with the étoiles of the future.

Massimiliano Finazzer Flory plays Leonardo da Vinci in an impossible interview to discover the multifaceted character of a genius.

The only Theatre-Song show to be created following the death of Giorgio Gaber. Written by Sandro Luporini.

The third appointment in the review “Milano per Gaber” is with Cesare Cremonini interviewed by the journalist and music critic Marinella Venegoni.

Willie Peyote, interviewed by Lorenzo Luporini, will be telling the audience  about his relationship with Mr. G, one of his greatest masters.