Stagione 2025/26
© Edoardo Scremin
Franciscus
Il folle che parlava agli uccelli
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Simone Cristicchi examines the human and spiritual journey of Francis of Assisi in an impassioned blend of music and theatre.
© Peperonitto
Flusso
PRESENTE INDICATIVO | Milano Crocevia
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Lino Guanciale stages the “monologue for two actors” by Christian di Furia, a poetic and dizzying, lyrical and ferocious work
© Alice Brazzit
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In a blend of dance and theatre – during the 25th Winter Olympics – D’Agostin reflects on his first love: cross-country skiing
© Laila Pozzo
© Archivio Grupporiani
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The puppets of the Carlo Colla & Figli company dance in the Teatro alla Scala ballet celebrating 19th-century scientific and technical progress
© Masiar Pasquali
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Tea and apocalypse on a summer afternoon for four women on the threshold of their golden years; lacasadargilla stages Caryl Churchill
© Andrea Pizzalis
Elogio della vita a rovescio
Personale Daria Deflorian
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Elogio della vita a rovescio focuses on the relationship between sisters, one of the most closely studied by Han Kang in her books
© Gabriele Acerboni
Edipus
Trent’anni dopo
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Federico Tiezzi and Sandro Lombardi return to the stage with the explosive and revolutionary “travelling” Oedipus created by Giovanni Testori
© Filippo Manzini
Donald
Storia molto più che leggendaria di un Golden Man
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Man, or god? Stefano Massini tells of the unstoppable rise of the controversial millionaire who became the president of the United States
DJ-SHOW. Twentysomething Edition
Vent’anni di Sotterraneo
An experiment that combines DJ sets and theatre, drawing the audience into an alternating blend of playlists and performance.
Illustrazione Marco Castagna
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Leonardo Petrillo brings to the stage Friedrich Nietzsche, the philosopher who tried to lend meaning to life
immagine _Naima_
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A tribute to imperfection by Annie Baker, an original voice in new American dramaturgy, directed by Valerio Binasco
© Luca Del Pia
Chi ha ucciso mio padre
Personale Daria Deflorian
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The work by Édouard Louis becomes a logical step towards a form of dramaturgy ever more focused on literature
© Andrea Pizzalis
Che dolore terribile è l’amore – Work in progress
PRESENTE INDICATIVO | Milano Crocevia
Not the entire book - We Do Not Part, the new masterpiece by Han Kang - but rather shards of reality and dream, of historic trauma and poetry