Stagione 2025/26
© Umberto Lopez
Flusso
PRESENTE INDICATIVO | Milano Crocevia
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Lino Guanciale stages the “monologue for two actors” by Christian di Furia, a poetic and dizzying, lyrical and ferocious work
© Alice Brazzit
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In a blend of dance and theatre – during the 25th Winter Olympics – D’Agostin reflects on his first love: cross-country skiing
© Laila Pozzo
© Archivio Grupporiani
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The puppets of the Carlo Colla & Figli company dance in the Teatro alla Scala ballet celebrating 19th-century scientific and technical progress
© Masiar Pasquali
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Tea and apocalypse on a summer afternoon for four women on the threshold of their golden years; lacasadargilla stages Caryl Churchill
© Andrea Pizzalis
Elogio della vita a rovescio
Personale Daria Deflorian
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Elogio della vita a rovescio focuses on the relationship between sisters, one of the most closely studied by Han Kang in her books
© Gabriele Acerboni
Edipus
Trent’anni dopo
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Federico Tiezzi and Sandro Lombardi return to the stage with the explosive and revolutionary “travelling” Oedipus created by Giovanni Testori
© Filippo Manzini
Donald
Storia molto più che leggendaria di un Golden Man
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Man, or god? Stefano Massini tells of the unstoppable rise of the controversial millionaire who became the president of the United States
DJ-SHOW. Twentysomething Edition
Vent’anni di Sotterraneo
An experiment that combines DJ sets and theatre, drawing the audience into an alternating blend of playlists and performance.
Comedia sin título
Milano Flamenco Festival 2026
Through the language of flamenco, Úrsula López brings to life an unfinished work by Federico García Lorca.
© Rosellina Garbo
Circo Zarathustra
Nietzsche in pista
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Leonardo Petrillo brings to the stage Friedrich Nietzsche, the philosopher who tried to lend meaning to life
© Virginia Brown
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A tribute to imperfection by Annie Baker, an original voice in new American dramaturgy, directed by Valerio Binasco
© Luca Del Pia
Chi ha ucciso mio padre
Personale Daria Deflorian
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The work by Édouard Louis becomes a logical step towards a form of dramaturgy ever more focused on literature
© Andrea Pizzalis
Che dolore terribile è l’amore – Work in progress
PRESENTE INDICATIVO | Milano Crocevia
Not the entire book – We Do Not Part, the new masterpiece by Han Kang – but rather shards of reality and dream, of historic trauma and poetry